Art and Art: Often borrows from commonly used content or from preceding works, e.g. Rembrandt's sketch of Leonardo's Last Supper. Can borrow through content, technique, style, medium or theme.
Art and Nature: May use landscape or rural settings to evoke emotion.
History and Stories: Appears to have a story or narrative quality behind the imagery often present through the iconography.
Fantasy and Invention: Pulls from the realm of the imagination. This type of art is not often founded in logic or reality.
Looking Inward: Introspective, has a contemplative and/or empathetic quality.
Looking Outward: Often time or site specific (time capsule). Allows you to glimpse at a given culture or time period through the object.
Visual Delight: Holds aesthetic appeal and is engaging to the senses.
Art for Daily Life: Slice of life may be recognized by functionality. Art for daily life may also attempt to capture a moment of the mundane.
Religion/Sacred Realm: Often visually communicates abstract concepts dependent on faith on a more concrete way. Works may be used for worship or to contain holy objects...etc.
Social/Political: Political art often has an underlying agenda and uses imagery as a means to an end. Social art lend to class status, economic conditions, gender roles, ethnicity in a given time/place...etc.
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Artists chose secular themes.
Humanism, Secularism, Individualism, Classicism, Realism
None of the above Themes can be found in many things
bretts art making process involved "relaxing" in front of a canvas ( because he was restless everywhere else" and then often painting straight onto the canvas out of themes of life in his head
No, that was impressionist art in the late 1800's early 1900's. Renaissance art was more symbolic and had religious themes and classical landscapes. They often tried to copy or reproduce classic Greek and Roman art, but with more perspective and movement within the art. The items placed within a Renaissance painting gave information about the subject and the viewer knew what they meant by the relationship with the main subject. There was also the use of glazes and the fleshy tones used by the painter.