It consist of 24 panels depicting the adoration of the Lamb (Jesus) and things in connection with this.
(In other words *biblical events*)-APEX
a series of biblical events
In the Annunciation panel of the Isenheim Altarpiece, Matthias Grünewald creates a sense of flatness rather than depth by using stark contrasts between figures and their surroundings. The figures are depicted with exaggerated proportions and a pronounced lack of perspective, which diminishes the illusion of three-dimensional space. Additionally, the dramatic use of color and light draws attention to the figures themselves rather than creating a spatial environment, resulting in a more intimate and emotionally charged scene. This technique enhances the spiritual and mystical quality of the moment rather than focusing on realistic depth.
panel paintings
Wood panel as was usual in his time.
Oil on panel, also silkscreen.
a series of biblical events
He perfected the newly developed technique of oil painting. His naturalistic panel paintings, mostly portraits and religious subjects, made extensive use of disguised religious symbols. His masterpiece is the altarpiece?in the cathedral at Ghent, the Adoration of The Lamb (1432).
A work of art set on three panels hinged together, often used as an altarpiece, is known as a triptych. Triptychs are typically painted or carved and can depict religious scenes, narratives, or themes. The central panel is usually larger and more prominent, while the side panels complement the main image, enhancing the overall composition and meaning of the artwork. These pieces were commonly used in churches during the medieval and Renaissance periods.
The trompe l'oeil illusion
In the left panel of the Merode Altarpiece, the donors are depicted, typically identified as Robert and Elizabeth Campin. They are shown in a contemporary Flemish setting, observing the Annunciation scene in the center panel from a distance. Their inclusion suggests a personal connection to the divine event, emphasizing both their piety and the importance of patronage in the art of the time. The detailed representation of their faces and attire highlights the era's focus on individual identity and realism.
symbolism
The central panel of the Portinari Altarpiece features several symbolic elements. The wheat symbolizes the Eucharist and Christ's body, while the flowers represent purity and the Virgin Mary. The shepherds signify humility and the common people witnessing Christ's birth, and the angels convey the divine presence and heavenly joy. Each element contributes to the overall theme of redemption and the significance of Christ's arrival.
symbolism
A 6-panel painting is often referred to as a "six-fold" or "six-panel" screen. In the context of traditional Asian art, it can also be called a "byobu" in Japanese or "pingfeng" in Chinese, typically used as decorative room dividers. These artworks often feature intricate designs and can depict various themes or narratives.
A static triptych is a three-panel artwork that is typically displayed together as a single composition. Each panel can depict a separate image, but when viewed together, they form a cohesive visual unit. The term "static" refers to the fact that the panels are fixed in place and not interactive or moving.
A sculpture that is attached to a wall or a panel is called a "relief." Relief sculptures can be classified into various types, such as bas-relief (low relief) and high relief, depending on how much the figures project from the background. They are often used to depict scenes or narratives in a more three-dimensional form while remaining connected to a flat surface.
A praedella is the panel (or panels) at the base of an altarpiece, same as predella. Often scenes from the life of Christ are depicted on the predella, or sometimes, as in Masaccio's Holy Trinity altarpiece, a skeleton intended to remind viewers of their mortality (called a "memento mori").Praedella (Latin) is an ancient Roman form of platform, usually three steps in height. Upon the platform sat the Dias or throne of the Emperor. Now, like Basilica, we find praedellas in most Roman Catholic and other Christian churches. Often misnamed "the altar", the praedella is, rather, the platform upon which the altar of a church sits. The platform has spiritual significance for Catholics, in that, it represents the Apostolic tradition upon which the Catholic Church is founded or built.