Doom paintings were used to warn people about living a sinful life by showing them heaven and hell.
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The renaissance came a few hundred years after the medieval times also greater discoveries were made in the renaissance such as artists who drew non religious paintings.
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It depicts Christ as a Human Figure firmly embedded into the earthly world
Huge numbers of very fine paintings on the walls of English churches were sadly destroyed under Henry VIII and (later) Oliver Cromwell, and even during Victorian and later "restoration work". Thanks to the endeavours of the historian E W Tristram during the early 20th century we have his published drawings of many surviving examples of these wall paintings from the 12th, 13th and 14th centuries - many of which have been subsequently destroyed and no longer exist. Similarly, domestic paintings on wooden panels from the medieval period were often destroyed during later eras under "improvement" and "updating" work. We know that English churches before Henry VIII's "reforms" contained icon paintings and elaborate shrines to the Saints, all of which were destroyed in the period 1538 - 1541. The loss of medieval art in this way is incalculable. Surviving examples in England are therefore rare and all are extremely precious, although many are perhaps not of the finest quality - their mere survival is a thing to be treasured. Continental medieval paintings did not suffer in the same way and many very fine examples are to be found in France, Germany, Spain, Italy and Greece. See links below for some surviving examples:
You would find a Doom painting in a Medieval church
Doom paintings were used to warn people about living a sinful life by showing them heaven and hell.
It was important to have doom paintings if the service was Latin because not many people back then in medieval England knew latin, so paintings would help the congregation understand the message the preist was trying to get across.
You would find a Doom painting in a Medieval church
doom paintings helped the church keep control because they told horrible stories about hell and why you should be good.
Renaissance paintings show figures in earthly settings; figures in medieval paintings have heavenly gold backgrounds.
religious themes
religious themes
Symbolic meaning
Church wall paintings covered a wide range of religious subjects: Heaven and hell, the lives of the Saints, Bible stories, the life and crucifixion of Christ, the Virtues overcoming the Vices and so on. The point of all of these was to illustrate these subjects for people who could not read; paintings of the Last Judgement helped the priest to communicate the Bible message to an audience who could not read about it for themselves. Very few original medieval wall paintings survive today, but thanks to the work of E W Tristram a large number have been recorded and published in his three books on the subject.
No. The earliest paintings of Jews are from Medieval times.
His paintings showed emotional intensity and his figures seemed to have volume.